Athens Night

Last Friday I attended the first of two consecutive weekend engagements by Gerasimos Andreatos and Christos Papadopoulos at Hamam, a music venue at the site of a former Turkish bath in Athens.

I arrived early enough to meet Andreatos, who’s a distant cousin, outside the club. He’s one of a couple of well-known Greek singers in the family, the other one being Elefteria Arvanitaki.
Hamam is an intimate environment, allowing the audience close contact with the performers on stage, which in this case totaled four.
The tables were occupied mostly by couples or groups of friends.
The show began at 11:00 PM and was scheduled to go until 4:00 AM, typical time for people who are used to partying late into the night.
However, I left after an hour and a half, concerned about public transportation only to approach the nearby station just as the last train was pulling in. I subsequently walked about fifteen blocks to the closest Metro with extended weekend service, making it home by 1:30 AM.
If you’re in Athens you can catch a repeat of the show at the same time and place.
For more information and reservations checkout the Hamam website or its Facebook page.
copyright © 2018 by N. A. Diaman, all rights reserved

Second Chances

Worlds Apart written and directed by Christopher Papakaliatis (Greece) 2015 is both disturbing and hopeful.


The film deals with issues that impact not only Greece and other European countries but also many nations around the world. Immigration, economic justice, austerity, racism, violence, and the power of love.

Three heterosexual couples, each pair made up of a Greek and a foreigner, overcome initial cultural barriers before finding common ground. A young college student and a Syrian refugee, two business professionals, a mature housewife and a retired German scholar.

The film had theatrical runs in New York and Los Angeles before it’s recent, one-night screening sponsored by the San Francisco Greek Film Festival.

More information including availability at

copyright © 2017 by N. A. Diaman, all rights reserved

Greek Hospitality

Philoxenia, generous hospitality toward strangers, is a traditional Greek value too often lacking today. Immigrants are seldom welcomed and Albanians especially are the usual scapegoats for crimes and any bad behavior.


Xenia directed by Panos Koutras (Greece/France/Belgium) 2014 boldly overturns common perceptions. The two main characters of the film are teenage brothers, one gay and the other straight, born in Crete to an Albanian mother and a Greek father who abandoned them early on.

Their mother recently died so the young men go in search of their father hoping he will acknowledge them so they can establish legal status.

This journey takes them through some of the darker aspects of the country but they are survivors unwilling to abandon hope for a better future

The film played to a packed house during the 12th San Francisco Greek Film Festival that concludes Sunday. For more information and tickets for the remaining screening contact San Francisco Greek Film Festival.

copyright © 2015 by N. A. Diaman, all rights reserved

Luna Park

Magic Hour directed by Costas Kapakas (Greece) 2011 is a black comedy inspired by the current economic crises.


An unlikely pair of guys embark on a road trip through the countryside in a hearse with a wooden casket containing many surprises.

The driver is someone who cleverly managed to exploit the system time and again before it collapsed. His companion is a rather conventional man reeling from the loss of his job and discovering his wife is unfaithful.

The targets for humor are numerous including politicians, clergy, xenophobes, and Germans. And at one point the main character blames Jews, Masons, and gays for his personal predicament.

The eleventh annual San Francisco Greek Film Festival closes tonight with two shorts and a feature-length comedy from Cyprus. For more information see the San Francisco Greek Film Festival.

copyright © 2014 by N. A. Diaman, all rights reserved

Greek Passage

The Two Faces Of January directed by Hossein Aminia (UK/USA/France) 2014 was the opening night film of the 57th San Francisco International Film Festival.


The noir Sixties thriller predominantly takes place in Athens, with scenes on Crete, and a climactic sequence in Istanbul. It’s based on the Patricia Highsmith novel by the same name.

It screened to a packed crowd at the Castro Theatre and was followed by a brief conversation with the director.

The festival continues with 167 films to be shown over the next two weeks in three Bay Area venues: the Sundance Kabuki Cinemas, New People Cinema, and Berkeley Art Museum & Pacific Film Archive.

Contact the San Francisco Film Society for more information and tickets.

copyright © 2014 by N. A. Diaman, all rights reserved

Sweet Sixteen

New Italian Cinema 2012 will celebrate sixteen years in San Francisco with eleven dramatic features and one documentary. The majority of the films were released in either 2011 or 2012. The exception are three works that are part of the Valeria Golino tribute. All screenings will be at Landmark’s Embarcadero Center Cinema 11 to 18 November 2012.

Tickets and information available on the San Francisco Film Society website.

copyright © 2012 by N. A. Diaman, all rights reserved

Roza Sings

My Sweet Canary, a documentary directed by Roy Sher, 2011 was a highlight of the ninth annual San Francisco Greek Film Festival. It not only traces the life of singer Roza Eshkanazi but also follows an international ensemble of musicians that publicly performs many of her songs in Turkish, Greek, and Ladino.

Roza Eshkanazi, born Sarah Skinazi around 1895 in the Ottoman capital, Constantinople, to a poor Sephardic Jewish family. Her father was a rag picker and her mother worked as a maid for a wealthy family. Roza never learned to read or write but enjoyed a long career as a singer and dancer of Rebetiko and other traditional music styles popular a century ago.

She can be compared to such legendary female singers as Uum Kalthum (Egypt), Edith Piaf (France), and Billie Holiday (USA). Rebetiko (often called Greek blues) was the urban, popular music of the underclass in Constantinople and most of the musicians who played it were from marginalized ethnic minorities.

Early on her family moved to Salonika, the second largest city in the Ottoman Empire. It became part of Greece in 1912. Before World War II, Sephardic Jews were the predominate population in the city. Less then five percent escaped deportation to Auschwitz.

A German military officer protected her and others during the Nazi Occupation. She narrowly escaped extermination after being reported by a Greek. She made a brief musical comeback before her death in 1980.

Even though I’m not a fan of Rebetiko, I thoroughly enjoyed My Sweet Canary, especially the contemporary renditions performed by Mehtap Demir, a Turkish singer and musician; Martha D. Lewis, a British-born Greek Cypriot; and Tomer Katz, an Israeli oud and bouzouki player. Their tour began in Istanbul and then moved to Thessaloniki before ending in Athens.

copyright © 2012 by N. A. Diaman, all rights reserved