Three of the films shown at the recently concluded San Francisco Greek Film Festival touched on the current situation in Greece.
Include Women Out directed by Vangelis Seitanidis (Greece) 2014 is essentially a comic, buddy film that doesn’t delve too deeply into social issues. However, at a pivotal moment in the story, the underlying conflict that separates the two main characters is starkly revealed.
The insults they hurl at each other divide Greek society. One man accuses his friend of getting ahead in business with bribes and other corrupt practices. The other points out that his wealthy friend has his money stashed in foreign banks. Both the upper and middle class are responsible for the disastrous conditions of the nation and must contribute to reforms.
The Cure directed by Ifigenia Dimitriou (Greece) 2015 is an amusing, direct assault on government bureaucracy, a hated institution both center-right and center-left administrations used to reward their loyal supporters. It’s filmed in black and white to emphasize the timelessness of the problem. Though arrogance and inflexibility are widespread in businesses as well.
Consideration directed by Nancy Spetsioti (Greece) 2014 is about a middle-aged man whose failing business prompts him to pressure his widowed mother to sell the deteriorating family home to a developer in order to pay his debts.
A common scheme in urban centers such as Athens is for homeowners to give up their homes to builders in exchange for a condominium in the large residential building constructed on the lot. Of course, urban density is preferable to sprawl. The arrangement may seem like a win win deal but is it?
There’s a lot people within the country need to do to make it a better place for themselves and those around them. Austerity is a doomed policy and focusing narrowly on the Greek debt doesn’t benefit the European Union as a whole. The only viable solution involves looking beyond national boundaries and insuring that all EU citizens are provided with incomes to meet their basic needs.
copyright © 2015 by N. A. Diaman, all rights reserved